OPEN Repository

Welcome to OPEN - the Repository of Open Scientific Publications, run by the Interdisciplinary Centre for Mathematical and Computational Modelling, University of Warsaw, previously operating as the CeON Repository. The Repository enables Polish researchers from all fields to openly share their articles, books, conference materials, reports, doctoral theses, and other scientific texts.

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Music as a Tool for Self-Realization in Chinese Culture: Based on the Practice of Playing the Guqin
(David Publishing Company, 2015-04) Mazur, Rafał; Uniwersytet Jagielloński; Jagiellonian University
Music has always held an important place in Chinese culture and it has been deeply related to philosophy for ages. In fact, one could say it played a key role in creating Chinese culture and civilisation. It could be assumed that one of the most important concepts of this culture—the Harmony—has its roots in music-making practice and musical terminology. Music was very strongly related to the official social ideology/philosophy of the empire, the Confucianism. As an integral part of the rituals, it became one of the elements ensuring social order. Besides its social/global function, music was an issue of great importance in the practice of achieving one’s personal excellence. There is a strong correlation between music and the Chinese idea of a sage, which in the Middle Kingdom is associated with the sense of hearing (not with sight, as it is in the Mediterranean tradition). The musical instrument guqin became an inalienable attribute of a sage and the practice of playing this instrument became a way to wisdom, allowing to improve one’s cognition and action. This paper will present the relations between playing the qin, philosophy, and learning wisdom.
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Koncepcja sztuki w klasycznym konfucjanizmie
(Jagiellonian University, 2014) Mazur, Rafał; Jagiellonian University
From time immemorial, art and philosophy have been tightly bound to each other. In the opinion of many art researchers, it is really hard to find any historical text about Chinese art which would not be about the artistic practice of Chinese philosophers, because art was one of their philosophical practices. These two spheres of human activity have been intimately bound together since the times of the most important Chinese philosopher – Confucius. In the article I present the Confucian concept of art as developed in the classical (ancient) period of Chinese philosophy.
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Koncepcja sztuki w klasycznym konfucjanizmie.
(Instytut Filozofii UJ, 2014) Mazur, Rafał; Uniwersytet Jagielloński; Jagiellonian University
Sztuka i filozofia w Chinach związane są ze sobą mocno i od dawna. Jak twierdzą badacze sztuki, trudno odnaleźć w chińskich archiwach pisma nawiązujące do innych przykładów działalności artystycznej, niż działalność filozofów. Sztuka bowiem, była jedną z praktyk jakim oddawali się filozofowie. Te dwa fenomeny ludzkiej działalności związane są ze sobą co najmniej od czasów najważniejszego filozofa Chin – Konfucjusza. W artykule przedstawiam konfucjańską koncepcję sztuki , wykształconą w klasycznym (czyli starożytnym) okresie filozofii chińskiej.

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Affiliation: Jagiellonian University Subject: Chinese aesthetics Subject: Chinese philosophy of art
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