OPEN Repository

Welcome to OPEN - the Repository of Open Scientific Publications, run by the Interdisciplinary Centre for Mathematical and Computational Modelling, University of Warsaw, previously operating as the CeON Repository. The Repository enables Polish researchers from all fields to openly share their articles, books, conference materials, reports, doctoral theses, and other scientific texts.

Publications in the Repository are indexed by the most important search engines and aggregators and downloaded by users worldwide. We invite you to create an account, deposit your publications, and use the resources of the Repository.

22936 archived items

Recent Submissions

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O sobie samym. Strategie autokreacji w prozie wspomnieniowej Kazimierza Wierzyńskiego
(Towarzystwo Doktorantów UJ, 2016) Kuchowicz, Katarzyna; Uniwersytet Jagielloński
The paper aims to present the autocreation strategies of Kazimierz Wierzyński in Cygańskim wozem. Miasta, ludzie, książki (1966) and Moja prywatna Ameryka (1966) essays. The author indicates the aspect of the writer’s self-creation via immigrate status prism that had been given to him. The paper attempts to draw attention to Wie- rzyński’s awareness in the metanarrative area and consciously played roles which were the result of creative strategy.
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Autokreacja Bartłomieja Paprockiego (ok. 1543–1614) w świetle listów dedykacyjnych w Gnieździe cnoty oraz Herbach rycerstwa polskiego
(Towarzystwo Doktorantów UJ, 2016) Kurak, Ewa; Uniwersytet Jagielloński
Bartholomew Paprocki (ca. 1543–1614) dedicated to King Stephen Bathory two works from his vast literary output. The first one was called Gniazdo cnoty. It was published in 1578 in Cracow. Another of the works was called Herby rycerstwa polskiego. It was published in 1584 in Cracow. In dedicatory letters in these works we can find elements of autocreation of the author. Bartholomew Paprocki appeared as chosen by God. Both works were created by God’s inspiration. The second element of autocreation was the topos of modesty. The author admitted in dedicatory letters to his imperfections. However, the exact reading of the symbols which he used, especially in Herby rycerstwa polskiego, suggests that it was only part of the game with reader. The author used the topos of modesty to follow the convention which was used in dedicatory letters. These symbols were used to illustrate attitude of pride Bartholomew Paprocki had of his works.