Mojstrovine poljske književnosti in filma: Faraon, Svatba, Mati Ivana Angelska

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dc.contributor.authorRezoničnik, Lidija
dc.contributor.authorKuśmierczyk, Seweryn
dc.contributor.organizationUniwersytet Warszawski, Wydział Polonistykiother
dc.contributor.organizationUniverza v Ljubljani, Filozofska fakultetaother
dc.date.accessioned2023-04-13T14:43:13Z
dc.date.available2023-04-13T14:43:13Z
dc.date.issued2021-04-02
dc.descriptionThis work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (except photographs).en
dc.description.abstractMonografija "Mojstrovine poljske književnosti in filma: Faraon, Svatba, Mati Ivana Angelska" predstavlja tri izbrana dela poljskega literarnega kanona in njihove filmske adaptacije, ki jih odlikuje visoka umetniška raven ter spadajo v klasiko poljske kinematografije: roman Bolesława Prusa "Faraon" ("Faraon", 1895) in film "Faraon" v režiji Jerzyja Kawalerowicza ("Faraon", 1965); dramo Stanisława Wyspiańskega "Svatba" ("Wesele", 1901) in film "Svatba" v režiji Andrzeja Wajde ("Wesele", 1972) ter novelo Jarosława Iwaszkiewicza "Mati Ivana Angelska" ("Matka Joanna od Aniołów", 1946) in film "Mati Ivana Angelska" v režiji Jerzyja Kawalerowicza ("Matka Joanna od Aniołów", 1961). Vsa tri literarna dela obravnavajo problematiko družbenih norm, moralnih vrednot, človekove svobode in njegovega delovanja v družbi. Zaključno poglavje monografije ponuja natančnejšo predstavitev metode antropološko-morfološke analize filmskega dela, ki je bila uporabljena za analizo filmov in jo je razvil Seweryn Kuśmierczyk.other
dc.description.abstractThe monograph “Masterpieces of Polish Literature and Film: Pharaoh, The Wedding, Mother Joan of the Angels” presents three selected works of the Polish literary canon and their film adaptations, which are distinguished by a high artistic level and belong to the classics of Polish cinematography: Bolesław Prus's novel “Pharaoh” (“Faraon”, 1895) and the film “Pharaoh” directed by Jerzy Kawalerowicz (“Faraon”, 1965); Stanisław Wyspiański's drama “The Wedding” (“Wesele”, 1901) and the film “The Wedding” directed by Andrzej Wajda (“Wesele, 1972); Jarosław Iwaszkiewicz's short story “Mother Joan of the Angels” (“Matka Joanna od Aniołów”, 1946) and the film “Mother Joan of the Angels” directed by Jerzy Kawalerowicz (“Matka Joanna od Aniołów”, 1961). All three literary works deal with the questions of social norms, moral values, human freedom and human functioning in society. The final chapter of the monograph offers a more detailed presentation of the method of anthropological and morphological analysis of a cinematographic work that was developed by Seweryn Kuśmierczyk and used for analysis of the films.en
dc.identifier.citationRezoničnik, L., Kuśmierczyk, S. (2021). Mojstrovine poljske književnosti in filma: Faraon, Svatba, Mati Ivana Angelska. Znanstvena založba Filozofske fakultete Univerze v Ljubljaniother
dc.identifier.isbn978-961-06-0437-2
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/22483
dc.language.isoother
dc.publisherZnanstvena založba Filozofske fakultete Univerze v Ljubljaniother
dc.rightsUznanie autorstwa-Na tych samych warunkach 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/*
dc.subjectanthropological and morphological analysisen
dc.subjectfilm adaptationsen
dc.subjectcanon of Polish literatureen
dc.subjectPolish film classicsen
dc.subjectanthropological and morphological analysisen
dc.subjectfilm analysisen
dc.subjectJerzy Kawalerowiczpl
dc.subjectAndrzej Wajdapl
dc.subjectThe Weddingen
dc.subjectPharaohen
dc.subjectMother Joan of the Angelsen
dc.subjectantropološko-morfološka analiza filmskega delaother
dc.subjectBolesław Pruspl
dc.subjectStanisław Wyspiańskipl
dc.subjectJarosław Iwaszkiewiczpl
dc.titleMojstrovine poljske književnosti in filma: Faraon, Svatba, Mati Ivana Angelskaother
dc.typebookother
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