Pamięć, niepamięć i sztuka: przypadek Romów na Węgrzech

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dc.contributor.authorSzász, Anna Lujza
dc.date.accessioned2015-07-18T16:58:59Z
dc.date.available2015-07-18T16:58:59Z
dc.date.issued2012
dc.description.abstractThe article presents the art of Mara Oláh, known as Omara, a contemporary Romani painter from Hungary. Omara’s art has been interpreted as an aesthetic transformation and representation of the memory of the Roma suffering during World War II. The Author assumes that Omara’s paintings should be interpreted not only in the aesthetic categories but also as a moral message that facilitates the return of memory and the reaction to the contemporary instances of discrimination against the Roma. This role of art is of particular importance because the Romani remembrance of the Holocaust has not been yet transformed into the solid forms of “cultural memory” and therefore insufficiently contributes to the development of knowledge and historical consciousness of the Roma community.pl_PL
dc.description.epersonNatalia Gancarz
dc.identifier.citationAnna Lujza Szász, Pamięć, niepamięć i sztuka: przypadek Romów na Węgrzech, "Studia Romologica", 2012, nr 5, s. 195-212.pl_PL
dc.identifier.issn1689-4758
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/7225
dc.language.isoplpl_PL
dc.publisherMuzeum Okręgowe w Tarnowiepl_PL
dc.rightsDozwolony użytek
dc.subjectWęgrypl_PL
dc.subjectsztukapl_PL
dc.subjectpamięćpl_PL
dc.subjectRomowiepl_PL
dc.titlePamięć, niepamięć i sztuka: przypadek Romów na Węgrzechpl_PL
dc.title.alternativeThe Memory, oblivion and art: a case study of Roma in Hungarypl_PL
dc.title.alternativeSeripe, bistaripe thaj dombipe: e Rromenqëro suro and-o Ungrìkopl_PL
dc.typearticlepl_PL
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