Karol Homolacs – pojęcie formy organicznej w estetyce (dekoracji)

Szypenbejl-Tracz, Magdalena

Karol Homolacs – pojęcie formy organicznej w estetyce (dekoracji)

dc.contributor.author	Szypenbejl-Tracz, Magdalena
dc.contributor.organization	Instytut Filozofii i Socjologii, Uniwersytet Pedagogiczny w Krakowie	pl
dc.date.accessioned	2018-01-11T08:40:49Z
dc.date.available	2018-01-11T08:40:49Z
dc.date.issued	2017
dc.description.abstract	The aim of this paper is to consider views on the concept of the organic form in the philosophy of design and its application in ornamentation. The author refers to some design theorists; especially to theories of Karol Homolacs. Gottfried Semper, Owen Jones and Homolacs perceive controversy in the copying of natural forms in decora-tive art. Homolacs considers both the problems of copying natural forms in decora-tive art and in painting. Additionally, Homolacs created a theory of the organic form which is similar to the form in art. According to Homolacs all the forms – organic forms and forms in art – result in their shape from the action of two opposing forces: those which differentiate and those which crystallize. The conclusion is an attempt to an-swer the question of whether art can be inspired by natural objects and in which way this should be done. The views of Gottfried Semper, Owen Jones and Karol Homolacs are similar.	en
dc.identifier.issn	2299-1638
dc.identifier.uri	https://open.icm.edu.pl/handle/123456789/14055
dc.language.iso	pl
dc.publisher	Towarzystwo Doktorantów UJ	pl
dc.rights	Uznanie autorstwa-Użycie niekomercyjne 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc/3.0/pl/	*
dc.subject	Karol Homolacs	en
dc.subject	Gottfried Semper	en
dc.subject	Owen Jones	en
dc.subject	organic form	en
dc.subject	philosophy of design	en
dc.title	Karol Homolacs – pojęcie formy organicznej w estetyce (dekoracji)	pl
dc.title.alternative	Karol Homolacs – Concept of the Organic Form in the Philosophy od Design	en
dc.type	article	pl