"Człowiek gardzienicki" - sceny z życia fantazmatu

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dc.contributor.authorKapusta, Anna
dc.contributor.organizationUniwersytet Jagiellońskipl_PL
dc.date.accessioned2015-06-22T08:59:15Z
dc.date.available2015-06-22T08:59:15Z
dc.date.issued2013
dc.description.abstractDuring my fieldwork project in Gardzienice village near Lublin, and in the Staniewski Centre for Theatre Practices "Gardzienice" I discovered a specific social conflict between the "Theatre" and the "Village". The unique indicator of this conflict was a theatrological metaphor: "a man of Gardzienice", which was understood by rural residents to be a humiliation and an assault on their humanity. The article analyzes the structure of this theatrological metaphor as a social effect of infrahumanization, which is an example of an aesthetic process of objectification a man in the discourse of art as the real cause of social conflict. The study deals with two questions: the first is about the quality and dignity of cultural contact, which becomes the foundation of theatrical art, and the second is, who is the man who was reduced to the function of an object of aesthetic ready made?pl_PL
dc.description.epersonMiłosz Markiewicz
dc.identifier.citationAnna Kapusta, "Człowiek gardzienicki" - sceny z życia fantazmatu, "Anthropos?" 2013, nr 20-21pl_PL
dc.identifier.issn1730-9549
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/7020
dc.language.isoplpl_PL
dc.publisherInstytut Nauk o Kulturze i Studiów Interdyscyplinarnych, Uniwersytet Śląskipl_PL
dc.rightsUznanie autorstwa-Na tych samych warunkach 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by-sa/3.0/pl/
dc.subjectGardzienicepl_PL
dc.subjectantropologia teatrupl_PL
dc.subjectdoświadczeniepl_PL
dc.subjectpodmiotowośćpl_PL
dc.subjectperformanspl_PL
dc.title"Człowiek gardzienicki" - sceny z życia fantazmatupl_PL
dc.typearticlepl_PL
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