Między nadzieją a paranoją. O post-człowieku w filmach science fiction (na kilku przykładach)

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dc.contributor.authorGorliński-Kucik, Piotr
dc.contributor.organizationUniwersytet Śląskipl
dc.date.accessioned2019-08-12T10:03:42Z
dc.date.available2019-08-12T10:03:42Z
dc.date.issued2018
dc.description.abstractIn the article, Gorliński-Kucik describes the determinants of science fiction conventions which aim at investigatiing the future of man and civilization. In doing so, the author reflects on movies released in recent years (2013–2019), which, in his opinion, best exemplify the problem in question, i.e. the construal of transhumanism. Analysed films include: Her (2013), Under the Skin (2013), Lucy (2014), Transcendence (2014), Chappie (2015), Arrival (2016), Blade Runner 2049 (2017), Ghost in the Shell (2017), Alita: Battle Angel (2019), and Netflix animated anthology Love, Death & Robots (2019). Gorliński-Kucik concludes that vast majority of interpreted movies addressess the post-human and predicts its appearance in the near future―without, however, fully escaping the eponymoys dichotomy of hope and paranoia.en
dc.identifier.citationPiotr Gorliński-Kucik, Między nadzieją a paranoją. O post-człowieku w filmach science fiction (na kilku przykładach), „Creatio Fantastica” vol. 59, no 2, 2018, pp. 109–122pl
dc.identifier.issn2300-2514
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/17154
dc.publisherOśrodek Badawczy Facta Fictapl
dc.rightsUznanie autorstwa 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/*
dc.subjectscience fictionen
dc.subjectscience fiction cinemaen
dc.subjectpost-humanen
dc.subjecttranshumanismen
dc.subjectevolutionen
dc.subjectcreationismen
dc.subjectartificial intelligenceen
dc.titleMiędzy nadzieją a paranoją. O post-człowieku w filmach science fiction (na kilku przykładach)pl
dc.typearticlepl
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