Perspektywa Riggana. O fokalizacji w filmie Birdman Alejandro Gonzáleza Iñárritu
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Jędrzej Koscinski Perspektywa Riggana. O fokalizacji w filmie Birdman Alejandro Gonzáleza Iñárritu.pdf (793.7 KB)
Authors
Date
2017
Journal Title
Journal ISSN
Volume Title
Publisher
Towarzystwo Doktorantów UJ
Abstract
The article is an analysis of the movie Birdman by Alejandro Gonzáleza Iñárritu, in terms of focalization of the narration on specific character. The author brings closer theories of focalization by Gérard Genette, Mieke Bal and Edward Branigan and ana-lyse ways in which the film narrows the perspective of narration – using special ef-fects, dialogues and imitating the lack of editing.