Kilka słów o sztuce współczesnej

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dc.contributor.authorGajewski, Krzysztof
dc.contributor.organizationInstytut Badań Literackich Polskiej Akademii Naukpl
dc.date.accessioned2023-01-18T15:34:19Z
dc.date.available2023-01-18T15:34:19Z
dc.date.issued2022
dc.description.abstractThe text begins with etymological reflections on the term “art” in various Euro- pean languages and its numerous connotations. Five main basic meanings of the notion of art are enumerated and described, such as: disposition for action, this very action, the realm of life consisting of some kind of actions, the rules of ac- tion, and the results of action. Subsequently, two main traditional purposes of artistic actions are indicated and characterized, which are beauty and reality. This pair of notions implies four kinds of artistic creation: aesthetic/anti-aesthetic mi- metism/antimimetism. The term of mimetism can be applied both to the imita- tion of nature, as well as to the imitation of preceding artists. In the latter inter- pretation, a different classification appears: classical/original mimetism/antimi- metism. Next, Maria Gołaszewska’s definition of contemporary art is discussed in the light of previous analysis. In the conclusion of the essay the final characteristic of contemporary art is presented with a quote from Arthur Rimbaud’s poem, as “absolutely modern”.en
dc.identifier.citationGajewski, K. (2022). Kilka słów o sztuce współczesnej. Nauka, 3, 91–107.pl
dc.identifier.doi10.24425/nauka.2022.140347
dc.identifier.issn1231-8515
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/22202
dc.language.isopl
dc.publisherPolska Akademia Naukpl
dc.rightsDozwolony użytek*
dc.subjectarten
dc.subjectbeautyen
dc.subjectmimetismen
dc.subjectaestheticsen
dc.subjectcontemporary arten
dc.titleKilka słów o sztuce współczesnejpl
dc.title.alternativeA few words about contemporary arten
dc.typearticlepl
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