Nowy wymiar strachu - Blair Witch Project (1999) Daniela Myricka i Eduardo Sáncheza

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dc.contributor.authorKwiatkowski, Fryderyk
dc.contributor.organizationUniwersytet Jagielloński, Instytut Filozofiipl_PL
dc.date.accessioned2015-11-03T20:26:05Z
dc.date.available2015-11-03T20:26:05Z
dc.date.issued2013
dc.description.abstractThe feature-film debut “Blair Witch Project” (1999) by Daniel Myrick and Eduardo Sánchez was an unexpected box-office hit. In spite of having a very low-budget and no movie stars in the cast, the directors adapted new means through which horror could be compellingly depicted on screen. The author of the article intends to unravel why so many viewers of “Blair Witch Project” believed that it presented a true story. On the one hand, it is connected with a well-prepared marketing campaign conducted by Myrick and Sánchez on the Internet. On the other, they used techniques characteristic of a documentary film, which eventually gave the impression that the film itself is a recording of authentic events. The author of the article has a firm belief the innovative ways in which the directors tried to thrill the American audience were the source of the film’s great success.en
dc.description.epersonFryderyk Kwiatkowski
dc.identifier.citationKwiatkowski, F. (2013). Nowy wymiar strachu - Blair Witch Project (1999) Daniela Myricka i Eduardo Sáncheza. W: N.vStysło i J. Przybyło red.). Kinomitografia Nowego Milenium. Wrocław: Yohei.pl_PL
dc.identifier.isbn978-83-63131-08-1
dc.identifier.urihttps://open.icm.edu.pl/handle/123456789/7856
dc.language.isoplpl_PL
dc.publisherYoheipl_PL
dc.rightsUznanie autorstwa 3.0 Polska
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/pl/
dc.subjectrealizmpl_PL
dc.subjectkino niezależnepl_PL
dc.subjectkino amerykańskiepl_PL
dc.subjectmockumentarypl_PL
dc.subjecthorrorpl_PL
dc.titleNowy wymiar strachu - Blair Witch Project (1999) Daniela Myricka i Eduardo Sánchezapl_PL
dc.typebookPartpl_PL
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