Transkulturowość butō. Japonia, Welsch i pytania o tożsamość

dc.contributor.author	Zamorska, Magdalena
dc.date.accessioned	2013-03-10T18:59:04Z
dc.date.available	2013-03-10T18:59:04Z
dc.date.issued	2010
dc.description.abstract	The Cultural Potential of Buto: On the Conception of Transculturality in Wolfgang Welsch — In the buto dance, born originally in Japan after the Second World War, the performer is devoid of his social identity and concentrates on the body as such. Hijikata and Ono — the creators of the dance — utilized the elements of ritual, philosophical and artistic traditions constituent both of the culture of Japan and the culture of the West. In my article I attempt to answer the question in what way the deprivation of one’s social identity can create a trans-cultural field of communication allowing a new form of artistic expression.	pl
dc.description.eperson	Magdalena Zamorska
dc.identifier.citation	M. Zamorska, Transkulturowość butō. Japonia, Welsch i pytania o tożsamość, "Kultura-Historia-Globalizacja" nr 6 2010	pl
dc.identifier.issn	18-98-72-65
dc.identifier.uri	https://open.icm.edu.pl/handle/123456789/1081
dc.language.iso	pl	pl
dc.publisher	Uniwersytet Wrocławski	pl
dc.rights	Uznanie autorstwa-Na tych samych warunkach 3.0 Polska	pl_PL
dc.rights.uri	http://creativecommons.org/licenses/by-sa/3.0/pl/
dc.subject	Welsch	pl
dc.subject	transkulturowość	pl
dc.subject	transculturality	pl
dc.subject	buto	pl
dc.subject	butoh	pl
dc.title	Transkulturowość butō. Japonia, Welsch i pytania o tożsamość	pl
dc.type	article	pl

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